Simba idolises his father, King Mufasa, and takes to heart his own royal destiny. But not everyone in the kingdom celebrates the new cub's arrival. Scar, Mufasa's brother—and former heir to the throne—has plans of his own. The battle for Pride Rock is ravaged with betrayal, tragedy and drama, ultimately resulting in Simba's exile. With help from a curious pair of newfound friends, Simba will have to figure out how to grow up and take back what is rightfully his.
Director Ralph Fiennes captures the raw physicality and brilliance of Rudolf Nureyev, whose escape to the West stunned the world at the height of the Cold War. With his magnetic presence, Nureyev emerged as ballet’s most famous star, a wild and beautiful dancer limited by the world of 1950s Leningrad. His flirtation with Western artists and ideas led him into a high-stakes game of cat and mouse with the KGB.
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So what does the live music scene in Sydney look like today, where do artists go to perform, or is the Sydney scene dead? We take a look at Sydney’s sound then and now.
Live music is that indescribable connection between an artist, the crowd and a moment. It’s food for the soul, and a vitally important part of our culture.
The live music scene in Sydney has seen some amazing artists get their break and establish successful careers, but over the years the scene has taken a big hit. Venues have been closing across the city, and our culture has been irrevocably altered. So what does the live music scene in Sydney look like today, where do artists go to perform, or is the Sydney scene dead?
Featuring appearances from the likes of Ian Moss (Cold Chisel), Sydney Lord Mayor Clover Moore, Dave Faulkner (Hoodoo Gurus), Flight Facilities, Alison Avron of Sydney venue The Newsagency, Hannah Crofts (All Our Exes Live In Texas), Lindsay McDougall (Franzal Rhomb), Tex Perkins, Trish & Jodi (The Clouds) and many, many more… Turn it Up takes a look at Sydney’s sound then and now.
|Release Date||19 November 2018|
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