Simba idolises his father, King Mufasa, and takes to heart his own royal destiny. But not everyone in the kingdom celebrates the new cub's arrival. Scar, Mufasa's brother—and former heir to the throne—has plans of his own. The battle for Pride Rock is ravaged with betrayal, tragedy and drama, ultimately resulting in Simba's exile. With help from a curious pair of newfound friends, Simba will have to figure out how to grow up and take back what is rightfully his.
When Bonnie takes the toys on her family’s road trip in Disney and Pixar’s “Toy Story 4”, Woody ends up on an unexpected detour that includes a reunion with his long-lost friend Bo Peep, whose adventurous spirit and life on the road belie her delicate porcelain exterior. Woody and Bo are worlds apart when it comes to life as a toy, and they soon realize that’s the least of their worries.
Retaining the iconic elements of the original production loved by millions around the world, Matthew Bourne and award-winning designers Lez Brotherston (Set & Costumes) and Paule Constable (Lighting) will create an exciting re-imagining of the classic production.
Thrilling, audacious, witty and emotive, this Swan Lake is perhaps still best known for replacing the female corps-de-ballet with a menacing male ensemble, which shattered conventions, turned tradition upside down and took the dance world by storm. Collecting over thirty international accolades including an Olivier Award in the UK and three Tonys on Broadway, Matthew Bourne’s powerful interpretation of Tchaikovsky’s masterpiece is a passionate and contemporary Swan Lake for our times.
‘Bold and beautiful as ever’ – (Daily Telegraph)
‘Spellbinding’ – (Independent)
‘Still original, still unmissable’ – (Metro)
‘Two decades on, Bourne’s Swan Lake still retains its power’ – (The Guardian)
‘Bourne’s Swan Lake continues to exert a hold on audiences’ – (The Times)
|Release Date||6 July 2019|
|Running Time||2hr 10m|
|Rating||CTC | Not yet classified|
For sixty years Elizabeth II has met each of her twelve Prime Ministers in a weekly audience at Buckingham Palace – a meeting like no other in British public life – it is private. Both parties have an unspoken agreement never to repeat what is said. Not even to their spouses. The Audience breaks this contract of silence – and imagines a series of pivotal meetings between the Downing Street incumbents and their Queen. From Churchill to Cameron, each Prime Minister has used these private conversations as a sounding board and a confessional – sometimes intimate, sometimes explosive.
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