Simba idolises his father, King Mufasa, and takes to heart his own royal destiny. But not everyone in the kingdom celebrates the new cub's arrival. Scar, Mufasa's brother—and former heir to the throne—has plans of his own. The battle for Pride Rock is ravaged with betrayal, tragedy and drama, ultimately resulting in Simba's exile. With help from a curious pair of newfound friends, Simba will have to figure out how to grow up and take back what is rightfully his.
Director Ralph Fiennes captures the raw physicality and brilliance of Rudolf Nureyev, whose escape to the West stunned the world at the height of the Cold War. With his magnetic presence, Nureyev emerged as ballet’s most famous star, a wild and beautiful dancer limited by the world of 1950s Leningrad. His flirtation with Western artists and ideas led him into a high-stakes game of cat and mouse with the KGB.
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Cyrano de Bergerac. Cursed with a prominent nose. Gifted with beautiful words.
Hercule Savinien Cyrano de Bergerac, a cadet in the French Army, is a brash, strong-willed man of many talents. In addition to being a remarkable duelist, he is a gifted poet and musician. However, he has an extremely large nose, a physical feature which causes him no end of self-doubt. This doubt prevents him from expressing his love for his distant cousin, the beautiful and intellectual Roxane, and achieving his "dream of being loved by even an ugly woman."
Presented in French with English subtitles.
Captured live from Paris to select cinemas worldwide. Edmond Rostand’s most popular work will be presented with staging by Denis Podalydès, scenography by Éric Ruf and costumes by Christian Lacroix.
|Release Date||8 October 2017|
|Running Time||3hr 05m|
|Rating||CTC | Not yet classified|
For sixty years Elizabeth II has met each of her twelve Prime Ministers in a weekly audience at Buckingham Palace – a meeting like no other in British public life – it is private. Both parties have an unspoken agreement never to repeat what is said. Not even to their spouses. The Audience breaks this contract of silence – and imagines a series of pivotal meetings between the Downing Street incumbents and their Queen. From Churchill to Cameron, each Prime Minister has used these private conversations as a sounding board and a confessional – sometimes intimate, sometimes explosive.
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