A fantasy adventure that picks up several years after Maleficent, in which audiences learned of the events that hardened the heart of Disney’s most notorious villain and drove her to curse a baby Princess Aurora, Maleficent: Mistress of Evil continues to explore the complex relationship between the horned fairy and the soon to be Queen, as they form new alliances and face new adversaries in their struggle to protect the moors and the magical creatures that reside within.
The group will face a new zombie threat as a new breed of zombie has developed. This new super-zombie type is faster, bigger, and stronger than the previous strain of zombies and harder to kill. These super-zombies have started grouping up into a horde going from city to city leaving a path of destruction behind them.
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“...a powerful and beautifully made film.” — Indiewire
Two men in black hats disembark from a train under a foreboding sky, setting a small town into a panic. The scene could be from a Western, except that the town is in Hungary and the black-clad men are Orthodox Jews, not gun-slinging drifters. As they walk silently behind a horse-drawn cart carrying two crates to an unknown destination, their presence elicits a spate of rumours.
Adapting the short story Homecoming by Gábor T. Szántó, award-winning Hungarian director Ferenc Török stunningly captures a transitional moment in European history with one village’s actions reflecting the moral corrosion of an entire continent. Beautifully shot in black and white with a spare, melancholy score, this understated film quietly builds and ultimately packs an unexpected punch.
|Release Date||5 April 2018|
|Running Time||1hr 31m|
|Rating||M | Mature|
|Cast||Péter Rudolf, Bence Tasnádi, Tamás Szabó Kimmel, Dóra Sztarenki|
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