Hodaka, a high school boy who moves from his isolated island home to the city of Tokyo, who immediately becomes broke! After finally finding work at a shady occult magazine, the sky rains every day until amidst the hustle and bustle of the big city, he meets a young woman called Hina. She lives a cheerful life with her younger brother, but also has a certain power: to stop the rain and clear the sky.
Simba idolises his father, King Mufasa, and takes to heart his own royal destiny. But not everyone in the kingdom celebrates the new cub's arrival. Scar, Mufasa's brother—and former heir to the throne—has plans of his own. The battle for Pride Rock is ravaged with betrayal, tragedy and drama, ultimately resulting in Simba's exile. With help from a curious pair of newfound friends, Simba will have to figure out how to grow up and take back what is rightfully his.
For three and a half hours, in the pouring rain, amid the mud and shattered trees of a rubber plantation called Long Tan, Major Harry Smith and his dispersed company of 108 young and mostly inexperienced Australian and New Zealand soldiers are fighting for their lives, holding off an overwhelming enemy force of 2,500 battle hardened Viet Cong and North Vietnamese soldiers. With their ammunition running out, their casualties mounting and the enemy massing for a final assault, each man begins to search for the strength to triumph over an uncertain future with honour, decency and courage.
Q&A with Luke Sullivan (Director), Robin Royce Queree (cast) and Sarah Houbolt (cast).
Please note, this Q&A event has been rescheduled from Friday to Sunday.
An unspoken event has caused civilisation to crumble, leaving the survivors to cluster in the wilderness. Among them is a blind girl who struggles to survive with her father – a paranoid schizophrenic clown. As she dreams of what may exist beyond this wasteland, her father is increasingly consumed by fear, paranoia and hysteria.
REFLECTIONS IN THE DUST is a powerful allegory for the epidemic of violence against women in Australia and is dedicated to the countless women who continue to lose their lives on a weekly basis at the hands of a male. The Australian government deemed the film was too extreme for audiences and strongly suggested it not be completed during production, however director Luke Sullivan pushed on with the film, asserting that such an extreme story needs to be told in an era where ‘we are losing grandmothers, mothers, sisters and friends to senseless acts of violence perpetrated by men’.
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