After the devastating events of Avengers: Infinity War (2018), the universe is in ruins due to the efforts of the Mad Titan, Thanos. With the help of remaining allies, the Avengers must assemble once more in order to undo Thanos' actions and restore order to the universe once and for all, no matter what consequences may be in store.
Stevie is a sweet 13-year-old about to explode. His mom is loving and attentive, but a little too forthcoming about her romantic life. His big brother is a taciturn and violent bully. So Stevie searches his working-class Los Angeles suburb for somewhere to belong. He finds it at the Motor Avenue skate shop.
Deliveryman Jongsu is out on a job when he runs into Haemi, a girl who once lived in his neighborhood. She asks if he'd mind looking after her cat while she's away on a trip to Africa. On her return she introduces to Jongsu an enigmatic young man named Ben, who she met during her trip. And one day Ben tells Jongsu about his most unusual hobby...
Gloria is a free-spirited divorcée who spends her days at a straight-laced office job and her nights on the dance floor, joyfully letting loose at clubs around Los Angeles. After meeting Arnold on a night out, she finds herself thrust into an unexpected new romance, filled with both the joys of budding love and the complications of dating, identity, and family.
Q&A with Luke Sullivan (Director), Robin Royce Queree (cast) and Sarah Houbolt (cast).
Please note, this Q&A event has been rescheduled from Friday to Sunday.
An unspoken event has caused civilisation to crumble, leaving the survivors to cluster in the wilderness. Among them is a blind girl who struggles to survive with her father – a paranoid schizophrenic clown. As she dreams of what may exist beyond this wasteland, her father is increasingly consumed by fear, paranoia and hysteria.
REFLECTIONS IN THE DUST is a powerful allegory for the epidemic of violence against women in Australia and is dedicated to the countless women who continue to lose their lives on a weekly basis at the hands of a male. The Australian government deemed the film was too extreme for audiences and strongly suggested it not be completed during production, however director Luke Sullivan pushed on with the film, asserting that such an extreme story needs to be told in an era where ‘we are losing grandmothers, mothers, sisters and friends to senseless acts of violence perpetrated by men’.
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